Manabu Suzuki - Live Installation At Loop-Line Recorded By Toshiya Tsunoda

Genre:	Electronic
Singer:	Manabu Suzuki
Title:	Live Installation At Loop-Line Recorded By Toshiya Tsunoda
Short-info:	Label: Skiti ‎– sk05 Type: CD Country: Japan Date of released: Oct 2010 Category: Electronic Style: Field Recording, Experimental
MP3 album size .rar:	1621 mb
APE album size .rar:	1706 mb
Digital formats:	MP3 FLAC MIDI MOD DTS MPC ADX MP3 DMF

Manabu Suzuki - Live Installation At Loop-Line Recorded By Toshiya Tsunoda
RAR archive MP3 format

1621 downloads at 53 mb/s

Manabu Suzuki - Live Installation At Loop-Line Recorded By Toshiya Tsunoda
RAR archive FLAC format

1706 downloads at 43 mb/s

Tracklist

1	(Room Ambience_Loop-Line)	0:44
2	Take 1: Extracts/R Ch Mic Inside Tsunoda's Left Ear. In The Latter Half, Ear Shut By Hand	17:17
3	(Room Ambience_Loop-Line/R Ch Mic Inside Tsunoda's Left Ear)	0:32
4	Take 2: Air Conditioner Off/R Ch Mic Inside Tsunoda's Left Ear	23:11
5	(R Ch Ear Shut By Hand)	1:05

Companies, etc.

Recorded At – Loop-Line

Credits

Design – Satoe Kobayashi
Liner Notes [English Translation] – Makoto Oshiro
Recorded By, Design, Liner Notes [Japanese] – Toshiya Tsunoda
Sounds [Installation], Liner Notes – Manabu Suzuki

Notes

Recorded at Loop-Line, Tokyo, July and August 2010

USW56, USW57, USW59, USW61 and USW113, these five hand-made electronics hung from a ceiling have an ultrasonic wave transmitter, a reciever and an amplifier. Each frequency of the ultrasonic wave is about 40KHz but slightly different. And when each instrument swings, each frequency changes a little caused by the Doppler effect. On their instruments we can hear beat signals between transmitted and received ultrasonic waves changed in frequency. (by Manabu Suzuki).

Where does art work appear? How do people perceive a piece of art, and how is that experience grasped? Physically, it's possible to say that the piece is in an exhibited space. However, when the essence of the piece is a spatial experience, it would be imperfect to speak only about the appearance of the work that is placed in a certain space. I came to want to add my experience of listening to Suzuki's work to this piece as my own touch. So, I decided to use a pair of micro-mikes. During the recording, one microphone was set in the center of the exhibited space, and the other was placed inside of my left ear. I closed my ear that has the microphone within it by my hand after the condition of the space caused by the piece and the swinging of the units became nearly stable (take 1) . I consider that my own condition has been added to the piece by this action.