John Dowland, The Consort Of Musicke - John Dowland: The Collected Works
| Genre: | Classical |
| Singer: | John Dowland |
| Title: | John Dowland: The Collected Works |
| Short-info: | Label:
L'Oiseau-Lyre – 452 563-2
Type: 12 x CD, Reissue, Remastered Box Set, Compilation Country: UK Date of released: 08 Jan 2007 Category: Classical Style: Renaissance |
| MP3 album size .rar: | 1403 mb |
| APE album size .rar: | 1825 mb |
| Digital formats: | MP3 FLAC MIDI AA MP4 MP3 ADX VOC DMF |
- 1403 downloads at 53 mb/s
RAR archive MP3 format
- 1825 downloads at 43 mb/s
RAR archive FLAC format
Tracklist Hide Credits
| First Booke Of Songes 1597 | ||
| 1-1 | I. Unquiet Thoughts | 4:05 |
| 1-2 | II. Who Ever Thinks Or Hopes Of Love | 2:28 |
| 1-3 | III. My Thoughts Are Wing'd With Hopes | 2:57 |
| 1-4 | IV. If My Complaints Could Passions Move | 3:23 |
| 1-5 | V. Can She Excuse My Wrongs | 3:01 |
| 1-6 | VI. Now, O Now, I Needs Must Part | 4:25 |
| 1-7 | VII. Dear, If You Change | 3:27 |
| 1-8 | VIII. Burst Forth My Tears | 3:51 |
| 1-9 | IX. Go Crystal Tears | 3:40 |
| 1-10 | X. Think'st Thou Then By Thy Feigning | 1:51 |
| 1-11 | XI. Come Away, Come Sweet Love | 2:26 |
| 1-12 | XII. Rest Awhile, You Cruel Cares | 3:23 |
| 1-13 | XIII. Sleep, Wayward Thoughts | 3:42 |
| 1-14 | XIV. All Ye, Whom Love Or Fortune Hath Betray'd | 4:26 |
| 1-15 | XV. Wilt Thou Unkind Thus Reave Me | 2:08 |
| 1-16 | XVI. Would My Conceit | 7:10 |
| 1-17 | XVII. Come Again: Sweet Love Doth Now Invite | 4:33 |
| 1-18 | XVIII. His Golden Locks | 4:06 |
| 1-19 | XIX. Awake, Sweet Love | 2:44 |
| 1-20 | XX. Come, Heavy Sleep | 4:29 |
| 1-21 | XXI. Away With These Self-Loving Lads | 2:50 |
| Second Booke Of Songs 1600 | ||
| 2-1 | I. I Saw My Lady Weep | 5:59 |
| 2-2 | II. Flow My Tears | 4:38 |
| 2-3 | III. Sorrow, Stay | 3:53 |
| 2-4 | IV. Die Not Before Thy Day | 1:56 |
| 2-5 | V. Mourn, Mourn, Day Is With Darkness Fled | 1:57 |
| 2-6 | VI. Time's Eldest Son | 1:28 |
| 2-7 | VII. Then Sit Thee Down | 1:22 |
| 2-8 | VIII. When Others Sing Venite | 1:28 |
| 2-9 | IX. Praise Blindness Eyes | 1:58 |
| 2-10 | X. O Sweet Woods | 6:08 |
| 2-11 | XI. If Flood Of Tears | 3:38 |
| 2-12 | XII. Five Knacks For Ladies | 2:08 |
| 2-13 | XIII. Now Cease My Wand'ring Eyes | 2:16 |
| 2-14 | XIV. Come Ye Heavy States Of Night | 4:41 |
| 2-15 | XV. White As Lilies Was Her Face | 3:56 |
| 2-16 | XVI. Woeful Heart | 2:50 |
| 2-17 | XVII. A Shepherd In A Shade | 2:45 |
| 2-18 | XVIII. Faction That Ever Dwells | 3:04 |
| 2-19 | XIX. Shall I Sue | 2:52 |
| 2-20 | XX. Toss Not My Soul | 3:01 |
| 2-21 | XXI. Clear Or Cloudy | 3:22 |
| 2-22 | XXII. Humour Say What Mak'st Thou Here | 3:23 |
| Third Booke Of Songs 1603 | ||
| 3-1 | I. Farewell Too Fair | 3:49 |
| 3-2 | II. Time Stands Still | 5:46 |
| 3-3 | III. Behold A Wonder Here | 2:52 |
| 3-4 | IV. Daphne Was Not So Chaste | 1:38 |
| 3-5 | V. Me, Me And None But Me | 2:52 |
| 3-6 | VI. When Phoebus First Did Daphne Love | 1:07 |
| 3-7 | VII. Say, Love, If Ever Thou Didst Find | 1:49 |
| 3-8 | VIII. Flow Not So Fast, Ye Fountains | 4:43 |
| 3-9 | IX. What If I Never Speed? | 2:05 |
| 3-10 | X. Love Stood Amazed | 11:27 |
| 3-11 | XI. Lend Your Ears To My Sorrow | 6:35 |
| 3-12 | XII. By A Fountain Where I Lay | 2:37 |
| 3-13 | XIII. O What Hath Overwrought? | 1:29 |
| 3-14 | XIV. Farewell, Unkind! | 1:48 |
| 3-15 | XV. Weep You No More, Sad Fountains | 3:53 |
| 3-16 | XVI. Fie On This Feigning | 2:17 |
| 3-17 | XVII. I Must Complain | 3:23 |
| 3-18 | XVIII. It Was A Time When Silly Bees | 3:08 |
| 3-19 | XIX. The Lowest Trees Have Tops | 2:28 |
| 3-20 | XX. What Poor Astronomers Are They | 2:17 |
| 3-21 | XXI. Come When I Call | 1:36 |
| A Pilgrimes Solace 1612 | ||
| 4-1 | I. Disdain Me Still | 4:06 |
| 4-2 | II. Sweet Stay Awhile | 3:45 |
| 4-3 | III. To Ask For All Thy Love | 3:42 |
| 4-4 | IV. Love, Those Beams That Breed | 2:34 |
| 4-5 | V. Shall I Strive With Words To Move? | 2:47 |
| 4-6 | VI. Were Every Thought An Eye | 1:19 |
| 4-7 | VII. Stay, Time, Awhile Thy Flying | 2:51 |
| 4-8 | VIII. Tell Me, True Love | 9:09 |
| 4-9 | IX. Go Nightly Cares | 6:28 |
| 4-10 | X. From Silent Night | 10:44 |
| 4-11 | XI. Lasso Vita Mia | 3:44 |
| 4-12 | XII. In This Trembling Shadow Cast | 9:28 |
| 4-13 | XIII. If That A Sinner's Sighs | 3:16 |
| 4-14 | XIV. Thou Mighty God | 3:50 |
| 4-15 | XV. When David's Life | 2:35 |
| 4-16 | XVI. When The Poor Cripple | 3:44 |
| 5-1 | XVII. Where Sin Sore Wounding | 8:17 |
| 5-2 | XVIII. My Heart And Tongue Were Twins | 2:34 |
| 5-3 | XIX. Up Merry Mates | 3:03 |
| 5-4 | XX. Welcome Black Night | 5:44 |
| 5-5 | XXI. Cease These False Sports | 2:48 |
| Keyboard Transcriptions Of Dowland's Music By Other Musicians | ||
| 5-6 | Lachrimae PavanTranscription By – Giles Farnaby |
6:18 |
| 5-7 | Can Shee (Can She Excuse) [Fitzwilliam Virginal Book]Transcription By – Anon.* |
1:57 |
| 5-8 | Paduana (La Mia Barbara)Transcription By – Paul Siefert |
5:21 |
| 5-9 | The FroggeTranscription By – John Wilbye |
1:56 |
| 5-10 | Frog's Galliard [Cromwell Virginal Book]Transcription By – Anon.* |
1:57 |
| 5-11 | Pavana And GaliardaTranscription By – Thomas Morley |
7:47 |
| 5-12 | Paduana LachrymaeTranscription By – Melchior Schildt |
5:18 |
| 5-13 | Can She Excuse [Tisdale Virginal Book]Transcription By – Anon.* |
1:52 |
| 5-14 | Pavion Solus Cum Sola [Drexel MS]Transcription By – Anon.* |
4:23 |
| 5-15 | Dowland's Almayne [Bodleian MS]Transcription By – Anon.* |
1:28 |
| 5-16 | Piper's Paven And GalliardTranscription By – John Bull, Martin Peerson |
7:32 |
| 5-17 | Pavana LachrymaeTranscription By – William Byrd |
5:34 |
| Mr. Henry Noell Lamentations 1597 | ||
| 6-1 | I. The Lamentation Of A Sinner | 1:38 |
| 6-2 | II. Domine Ne in Furore | 0:58 |
| 6-3 | III. Miserere Me Deus | 1:37 |
| 6-4 | IV. The Humble Suit Of A Sinner | 1:22 |
| 6-5 | V. The Humble Complaint Of A Sinner | 1:27 |
| 6-6 | VI. De Profundis | 1:25 |
| 6-7 | VII. Domine Exaudi | 1:52 |
| Lachrimae 1604 | ||
| 6-8 | Lachrimae Antiquae | 4:45 |
| 6-9 | Lachrimae Antiquae Novae | 4:07 |
| 6-10 | Lachrimae Gementes | 4:23 |
| 6-11 | Lachrimae Tristes | 4:38 |
| 6-12 | Lachrimae Coactae | 4:15 |
| 6-13 | Lachrimae Amantis | 4:30 |
| 6-14 | Lachrimae Verae | 4:24 |
| 6-15 | M. John Langton's Pavan | 3:19 |
| 6-16 | M. Nicholas Gryffith His Galiard | 2:35 |
| 6-17 | Sir John Souch His Galiard | 1:47 |
| 6-18 | Semper Dowland Semper Dolens | 3:20 |
| 6-19 | M. Giles Hobies Galiard | 2:05 |
| 6-20 | The King Of Denmark's Galiard | 1:30 |
| 6-21 | Sir Henry Umpton's Funeral | 4:36 |
| 6-22 | M. Henry Noel His Galiard | 3:00 |
| 6-23 | The Earl Of Essex Galiard | 1:35 |
| 6-24 | M. Buctons Galiard | 1:38 |
| 6-25 | M. George Whitehead His Almand | 1:34 |
| 6-26 | Captaine Digorie Piper His Galiard | 2:04 |
| 6-27 | M. Thomas Collier His Galiard | 1:33 |
| 6-28 | Mrs. Nichols Almand | 0:48 |
| Sacred Songs | ||
| 7-1 | Sorrow, ComeArranged By – William Wigthorpe |
3:20 |
| 7-2 | I Shame At Mine Unworthiness | 2:34 |
| 7-3 | An Heart That's Broken | 1:36 |
| Psalmes | ||
| 7-4 | All People That On Earth Do Dwell | 1:45 |
| 7-5 | Put Me Not To Rebuke O Lord | 1:39 |
| 7-6 | Lord To Thee I Make My Moan | 3:55 |
| 7-7 | My Soul Praise The Lord | 4:35 |
| 7-8 | All People That On Earth Do Dwell | 2:14 |
| 7-9 | Behold And Have Regard | 1:28 |
| 7-10 | A Prayer For The Queen's Most Excellent Majesty | 1:35 |
| Instrumental Tracks | ||
| 7-11 | Solus Cum Sola PavanArranged By – Anon.* |
3:18 |
| 7-12 | LachrimaeArranged By – Anon.* |
2:58 |
| 7-13 | GalliardArranged By – Anon.* |
1:09 |
| 7-14 | Pipers PavanArranged By – Anon.* |
2:56 |
| 7-15 | LachrimaeArranged By – Anon.* |
4:53 |
| 7-16 | Lady Rich GalliardArranged By – Anon.* |
1:44 |
| 7-17 | Earl Of Essex GalliardArranged By – Anon.* |
1:58 |
| 7-18 | If My ComplaintsArranged By – Anon.* |
2:22 |
| 7-19 | Lachrimae DoolandeArranged By – Anon.* |
4:59 |
| 7-20 | Lord Willoughbie's Welcome HomeArranged By – John Dowland |
1:38 |
| 7-21 | My Lord Chamberlayne His GalliardArranged By – John Dowland |
2:17 |
| 7-22 | Comagain (Come Again Sweet Love)Arranged By – J. Van Eyck* |
7:02 |
| 7-23 | Pavan LachrymaeArranged By – J. Van Eyck* |
4:04 |
| 7-24 | Sorrow StayArranged By – Anon.* |
3:34 |
| Lute Music | ||
| 8-1 | Preludium (Margaret Board Lute Book) [P98] | 1:08 |
| 8-2 | Lachrimae (Version By John Sturt) | 4:29 |
| 8-3 | Can She Excuse (Galliard) [P42] | 1:44 |
| 8-4 | Dr. Case's Pavan [P12] | 4:36 |
| 8-5 | Melancholy Galliard [P25] | 2:14 |
| 8-6 | Sir John Smith, His Almain [P47] | 2:45 |
| 8-7 | Fantasia (?Dowland) (Jane Pickering MS) [P71] | 5:58 |
| 8-8 | A Dream (Pavan) (?Dowland) [P75] | 4:19 |
| 8-9 | Almain (Margaret Board Lute Book) [P96] | 1:39 |
| 8-10 | The Queen's Galliard (Margaret Board Lute Book) [P97] | 1:52 |
| 8-11 | Coranto (Margaret Board Lute Book) [P100] | 1:39 |
| 8-12 | Resolution (Pavan) [P13] | 4:44 |
| 8-13 | Mrs. Vaux Galliard [P32] | 2:33 |
| 8-14 | Almain [P49] | 1:28 |
| 8-15 | Mr. Dowland's Midnight (Margaret Board Lute Book) [P99] | 1:15 |
| 8-16 | Fantasia [P1] | 5:07 |
| 8-17 | Loth To Depart (Ballad Setting) [P69] | 5:42 |
| 8-18 | The Most Sacred Queen Elizabeth, Her Galliard [P41] | 1:14 |
| 8-19 | The Earl Of Essex, His Galliard [P42a] | 1:49 |
| 8-20 | Pavan [P18] | 4:42 |
| 8-21 | John Dowland's Galliard [P21] | 1:29 |
| 8-22 | Aloe (Ballad Setting) [P68] | 2:40 |
| 8-23 | The Lady Clifton's Spirit (Galliard) [P45] | 1:45 |
| 8-24 | What If A Day (Ballad Setting) (?Dowland) [P79] | 1:22 |
| 8-25 | Mr Giles Hobie's Galliard [P29] | 2:02 |
| 8-26 | Come Away (Song Arrangement) [P60] | 1:01 |
| 8-27 | Galliard [P27] | 2:25 |
| 8-28 | Fancy (Fantasia) [P6] | 2:22 |
| 9-1 | Lachrimae (Basic Version) (Pavan) [P15] | 4:44 |
| 9-2 | Galliard To [P46] | 2:46 |
| 9-3 | [Jig] (?Dowland) (Euing Lute MS) [P78] | 1:36 |
| 9-4 | Galliard On 'Walsingham' [P31] | 2:38 |
| 9-5 | Complaint (Ballad Setting) [P63] | 1:17 |
| 9-6 | Mignarda (Galliard) [P35] | 3:11 |
| 9-7 | Semper Dowland Semper Dolens (Pavan) [P9] | 3:10 |
| 9-8 | The Frog Galliard [P23a] | 2:06 |
| 9-9 | A Fancy (Fantasia) (?Dowland) (Euing Lute MS) [P72] | 6:56 |
| 9-10 | Fancy (Fantasia) [P5] | 2:23 |
| 9-11 | Pipers Pavan [P8] | 5:10 |
| 9-12 | Captain Digorie Piper's Galliard [P19] | 1:54 |
| 9-13 | Lady Layton's Almain [P48a] | 0:53 |
| 9-14 | Dowland's Galliard [P20] | 0:55 |
| 9-15 | Dowland's First Galliard [P22] | 2:09 |
| 9-16 | Tarleton's Jig (?Dowland) [P81] | 0:53 |
| 9-17 | Walsingham (Ballad Setting) [P67] | 4:39 |
| 9-18 | Lord Willoughby's Welcome Home (Ballad Setting) [P66a] | 1:27 |
| 9-19 | Sir Henry Guilforde, His Almain | 2:21 |
| 9-20 | Pavan (Related To 'Lachrimae') [P16] | 5:00 |
| 9-21 | Mrs. Langton's Galliard [P33] | 2:43 |
| 9-22 | Mrs. Clifton's Almain [P53] | 1:26 |
| 9-23 | Galliard (?Dowland) (Euing Lute MS) [P76] | 1:58 |
| 9-24 | Lady Hunsdon's Puffe (Almain) [P54] | 1:28 |
| 9-25 | Galliard [P24] | 1:16 |
| 9-26 | Go From My Window (Ballad Setting) [P64] | 3:48 |
| 9-27 | Fancy (Fantasia) (?Dowland) [P73] | 3:15 |
| 10-1 | Pavana Johan Douland (?Dowland) (Schele Lute MS) [P94] | 6:15 |
| 10-2 | Mrs. Brigide Fleetwood's Pavan (Solus Sine Sola) [P11] | 5:25 |
| 10-3 | La Mia Barbara (?Dowland) (Schele Lute MS) [P95] | 5:22 |
| 10-4 | Sir Henry Umpton's Funeral (Pavan) | 5:15 |
| 10-5 | Lachrimae (Version By Francis Cozens) | 4:39 |
| 10-6 | Farewell Fancy (Chromatic Fantasia) [P3] | 5:26 |
| 10-7 | Farewell (On The 'In Nomine' Theme) (Fantasia) [P4] | 3:38 |
| 10-8 | The King Of Denmark, His Galliard [P40] | 3:26 |
| 10-9 | Mrs. Vaux's Jig [P57] | 1:35 |
| 10-10 | Mrs. Nichol's Almain [P52] | 0:56 |
| 10-11 | Galliard [P30] | 2:29 |
| 10-12 | Lord Strang's March [P65] | 1:03 |
| 10-13 | Mrs. Winter's Jump (Coranto) [P55] | 0:59 |
| 10-14 | Can She Excuse (Galliard) (Version By Cozens) [P89] | 1:51 |
| 10-15 | The Shoemaker's Wife, A Toy (Ballad Setting) [P58] | 1:19 |
| 10-16 | Mrs. Norrish's Delight (?Dowland) (Archbishop Marsh's MS) [P77] | 1:02 |
| 10-17 | Galliard [P35] | 2:02 |
| 10-18 | Mrs. White's Thing (Almain) [P50] | 1:29 |
| 10-19 | Mrs. White's Nothing [P56] | 0:46 |
| 10-20 | The Frog Galliard (Anon. Version) [P90] | 2:19 |
| 10-21 | Solus Cum Sola (Pavan) [P10] | 4:28 |
| 10-22 | The Lord Viscount Lisle, His Galliard [P38] | 3:13 |
| 10-23 | Orlando Sleepeth (Ballad Setting) [P61] | 1:04 |
| 10-24 | Robin (Ballad Setting) [P70] | 3:55 |
| 10-25 | A Galliard (On A Galliard By Daniel Bacheler) [P28] | 3:02 |
| 10-26 | Forlorn Hope Fancy (Chromatic Fantasia) [P2] | 3:51 |
| 11-1 | The Lady Russels's Pavan [P17] | 5:07 |
| 11-2 | Fancy (Fantasia) [P7] | 4:41 |
| 11-3 | Sir John Langton's Pavan [P14a] | 5:52 |
| 11-4 | Earl Of Derby, His Galliard [P44a] | 2:41 |
| 11-5 | A Coy Toy (?Dowland) (Mynshall Lute Book) [P80] | 0:33 |
| 11-6 | Fortune My Foe (Ballad Setting) [P62] | 2:18 |
| 11-7 | [Almain] [P51] | 1:50 |
| 11-8 | Mr Knight's Galliard [P36] | 2:18 |
| 11-9 | Sir John Souch His Galliard [P26] | 2:31 |
| 11-10 | Tarletone's Riserrectione [P59] | 0:37 |
| 11-11 | The Lady Rich, Her Galliard [P43a] | 1:52 |
| Consort Music (Arrangments In Various Sources) | ||
| From Thomas Morley: First Booke Of Consort Lessons | ||
| 11-12 | Lachrimae Pavan | 4:21 |
| 11-13 | Can She Excuse Galliard | 1:41 |
| 11-14 | Captain Piper's Pavan & Galliard | 5:49 |
| 11-15 | The Frog Galliard | 2:12 |
| From Cambridge Manuscript Part Books (c. 1600) | ||
| 11-16 | Round Battell Galliard | 1:33 |
| 11-17 | Fortune My Foe | 3:06 |
| 11-18 | Dowland's First Galliard | 1:51 |
| 11-19 | Katherine Darcie's Galliard | 1:15 |
| 11-20 | Tarleton's Jigge | 0:50 |
| From British Library B.M. Add. 10444 (c. 1610) | ||
| 11-21 | Almain À 2 | 0:31 |
| 11-22 | Mistress Nicols Alman À 2 | 0:48 |
| From Füllsack And Hildebrandt: Auserlesener Paduanen Und Galliarden | ||
| 11-23 | Susanna Fair (Galliard) | 1:35 |
| From Haussmann: Rest von Polnischen Und Andern Tänzen | ||
| 11-24 | Mistress Nichols Alman À 5 | 0:53 |
| From Thomas Simpson: Opusculum | ||
| 11-25 | Mr John Langton Pavan And Galliard | 5:00 |
| 11-26 | La Mia Barbara Pavan And Galliard | 6:16 |
| 11-27 | Lachrimae Antiquae Novae Pavan And Galliard | 6:54 |
| From Thomas Simpson: Taffel-Consort | ||
| 12-1 | Mistress Nichols Alman | 0:43 |
| 12-2 | Volta À 4 ('Ioh. Douland') | 1:11 |
| 12-3 | Were Every Thought An Eye | 1:55 |
| 12-4 | Lady If You So Spite Me | 2:55 |
| 12-5 | Pavan À 4 | 4:21 |
| A Musicall Banquet 1610 | ||
| 12-6 | I. My Heavy SpriteComposed By – Anthony Holborne |
2:36 |
| 12-7 | II. Change Thy Mind Since She Doth ChangeComposed By – Richard Martin |
3:07 |
| 12-8 | III. O Eyes, Leave Off Your WeepingComposed By – Robert Hales |
3:08 |
| 12-9 | IV. Go, My Flock, Go Get You HenceComposed By – Anon.* |
3:37 |
| 12-10 | V. O Dear Life, When Shall It Be?Composed By – Anon.* |
4:09 |
| 12-11 | VI. To Plead My FaithComposed By – Daniel Bacheler |
2:39 |
| 12-12 | VII. In A Grove Most Rich Of ShadeComposed By – Guillaume Tessier |
4:50 |
| 12-13 | VIII. Far From Triumphing Court | 8:44 |
| 12-14 | IX. Lady, If You Spite Me | 2:26 |
| 12-15 | X. In Darkness Let Me Dwell | 4:24 |
| 12-16 | XI. Si Le Parler Et Le SilenceComposed By – Pierre Guédron |
3:44 |
| 12-17 | XII. Ce Penser Qui Sans Fin Tirannise Ma VieComposed By – Pierre Guédron |
3:33 |
| 12-18 | XIII. Vous Que Le Bonheur RappelleComposed By – Pierre Guédron |
2:28 |
| 12-19 | XIV. Passava Amor Su Arco DesarmadoComposed By – Anon.* |
2:19 |
| 12-20 | XV. Sta Notte Mi SognavaComposed By – Anon.* |
2:26 |
| 12-21 | XVI. Vuestros Ojos Tienen D'AmorComposed By – Anon.* |
1:14 |
| 12-22 | XVII. Se Di Farmi Morire?Composed By – Domenico Maria Megli |
2:39 |
| 12-23 | XVIII. Dovrò Dunque Morire?Composed By – Giulio Caccini Detto Romano* |
2:09 |
| 12-24 | XIX. Amarilli Mia BellaComposed By – Giulio Caccini Detto Romano* |
2:32 |
| 12-25 | XX. O Bella PiuComposed By – Anon.* |
2:33 |
Companies, etc.
- Record Company – The Decca Record Company Limited
- Phonographic Copyright (p) – The Decca Record Company Limited
- Copyright (c) – The Decca Record Company Limited
- Recorded At – Decca Studios
- Made By – EDC, Germany – 51824123
- Made By – EDC, Germany – 51823557
- Made By – EDC, Germany – 51823559
- Made By – EDC, Germany – 51823571
- Made By – EDC, Germany – 50991480
- Made By – EDC, Germany – 50991401
- Made By – EDC, Germany – 50991402
- Made By – EDC, Germany – 50991409
- Made By – EDC, Germany – 50991410
- Made By – EDC, Germany – 50991411
- Made By – EDC, Germany – 50991470
- Made By – EDC, Germany – 50991455
Credits
- Art Direction – Lucy Gowans
- Bandura [Bandora] – Jakob Lindberg (tracks: 6-1 to 7-10, 7-12 to 7-14, 11-12 to 11-20)
- Bass Vocals – David Thomas (tracks: 1-1, 1-2, 1-9, 1-11, 1-12, 1-14, 1-18, 1-20, 2-1, 2-2, 2-6 to 2-10, 2-13, 2-15, 2-16, 2-18, 2-20, 3-5 to 3-7, 3-11 to 3-13, 3-21 to 4-2, 4-4 to 4-8, 4-14 to 5-5, 6-1 to 7-10, 12-6 to 12-25)
- Cittern – Julian Creme* (tracks: 6-1 to 7-10, 11-12 to 11-20)
- Compiled By [Works Collected By] – Robert Dowland (tracks: 12-6 to 12-25)
- Composed By – John Dowland (tracks: 1-1 to 12-5, 12-13 to 12-15)
- Countertenor Vocals – John York Skinner (tracks: 1-1, 1-2, 1-9, 1-11, 1-12, 1-14, 1-18, 1-20, 2-7 to 2-10, 2-13, 2-16, 2-18, 2-20, 3-5 to 3-7, 3-11 to 3-13, 3-21, 4-4 to 4-8, 4-14 to 5-5, 6-1 to 7-10, 7-24, 12-6 to 12-25)
- Directed By – Anthony Rooley
- Engineer [Recording Engineer] – Iain Churches (tracks: 1-1 to 2-20,), Martin Haskell (tracks: 3-1 to 5-17, 7-11 to 7-24, 12-6 to 12-25)
- Ensemble – The Consort Of Musicke (tracks: 1-1 to 5-5, 6-1 to 7-24, 11-12 to 12-25)
- Flute – Bernard Thomas (tracks: 6-1 to 7-10, 11-12 to 11-15)
- Harpsichord [Italian Harpsichord] – Colin Tilney (tracks: 5-6 to 5-17)
- Liner Notes [Commentary] – Anthony Rooley
- Liner Notes [French Translation] – Decca
- Liner Notes [German Translation] – Decca , Theo Schmitt
- Liner Notes [Italian Translation] – Claudio Maria Perselli, Decca
- Liner Notes [Set] – Peter Holman
- Lute – Anthony Rooley (tracks: 1-1 to 1-10, 2-1 to 2-20, 3-1 to 3-5, 3-8 to 3-10, 3-13 to 4-13, 5-1 to 7-10, 7-19 to 7-21, 11-12 to 11-20, 12-6 to 12-25), Christopher Wilson (tracks: 7-19 to 7-21), Jakob Lindberg (tracks: 7-19), Julian Creme*
- Lute [Solo] – Anthony Bailes (tracks: 8-1 to 8-17), Anthony Rooley (tracks: 10-2 to 10-20), Christopher Wilson (tracks: 10-21 to 11-11), Jakob Lindberg (tracks: 8-18 to 9-9), Nigel North (tracks: 9-10 to 10-1)
- Mezzo-soprano Vocals – Glenda Simpson (tracks: 7-2)
- Organ – Alan Wilson (tracks: 6-1 to 7-10, 11-23, 12-1 to 12-5)
- Painting [Booklet/Box Cover] – Nicholas Hilliard
- Producer – Peter Wadland
- Recorder – Bernard Thomas (tracks: 11-16 to 11-22)
- Recorder [Tenor Recorder] – Baldrick Deerenberg (tracks: 7-20)
- Soprano Vocals – Emma Kirkby (tracks: 1-1, 1-2, 1-7 to 1-9, 1-11, 1-12, 1-14 to 1-16, 1-20, 2-1, 2-2, 2-7 to 2-10, 2-12, 2-15, 2-16, 2-18 to 2-20, 3-5 to 3-8, 3-11 to 3-15, 3-19, 3-21, 4-4 to 4-8, 4-10, 4-12, 4-14 to 5-5, 6-1 to 7-10, 12-6 to 12-25)
- Soprano Vocals [Soprano II] – Glenda Simpson (tracks: 5-4, 5-5)
- Tenor Vocals – Martyn Hill (tracks: 1-1 to 1-6, 1-8 to 1-10, 1-13, 1-14, 1-16, 1-17, 1-19, 2-3 to 2-5, 2-7 to 2-11, 2-13, 2-14, 2-16 to 2-18, 2-20, 3-1 to 3-7, 3-9 to 3-13, 3-16, 3-17, 3-21, 4-3 to 4-8, 4-11, 4-14 to 5-5, 6-1 to 7-10, 12-6 to 12-25)
- Transcription By – Peter Stroud (tracks: 12-6 to 12-25)
- Viol [Alto] – Roderick Skeaping (tracks: 7-11, 7-21)
- Viol [Bass] – Jane Ryan (tracks: 7-11, 11-23 to 12-5), Trevor Jones (tracks: 1-3 to 1-6, 1-9, 1-10, 1-13, 1-16 to 1-21, 2-3 to 2-6, 2-8, 2-11, 2,12, 2-14, 2-15, 2-17, 2-19, 2-20, 3-1 to 3-4, 3-9, 3-10, 3-16 to 3-18, 3-20, 4-1 to 4-3, 4-8 to 4-10, 5-5, 6-1 to 7-11, 7-21, 11-12 to 11-15, 11-21, 11-22, 11-24, 12-6 to 12-25)
- Viol [Lyra] – Ian Gammie (tracks: 7-15 to 7-18)
- Viol [Tenor] – Ian Gammie (tracks: 1-8, 1-9, 1-15, 1-16, 1-19, 2-12, 2-20, 3-8, 3-21, 4-12, 5-1, 5-2, 6-1 to 7-11, 7-21, 11-23 to 11-27), Polly Waterfield (tracks: 1-8, 1-9, 1-15, 1-16, 1-19, 2-12, 2-14, 2-20, 3-8, 3-21, 5-1, 6-1 to 7-11, 7-21), Trevor Jones (tracks: 11-23, 11-25 to 11-27)
- Viol [Treble] – Catherine Mackintosh (tracks: 1-8, 1-9, 1-15, 1-16, 1-19, 2-12, 2-14, 2-20, 3-8, 3-21, 4-9 to 4-12, 5-1, 5-2, 6-1 to 7-10, 11-12 to 11-15, 11-23 to 11-27), Polly Waterfield (tracks: 11-23 to 11-27)
- Viola – Trevor Jones (tracks: 12-1 to 12-5)
- Violin – Catherine Mackintosh (tracks: 11-16 to 11-22, 12-1 to 12-5), Polly Waterfield (tracks: 12-1 to 12-5)
- Virginal – Alan Wilson (tracks: 11-21, 11-22, 12-1 to 12-5)
Notes
12-CD set in a box, with 122-page perfect-bound booklet. A compilation of recordings original released on L'Oiseau-Lyre LPs in the 1970s: First Booke Of Songes 1597, Second Booke Of Songs 1600, Third Booke Of Songs 1603, A Pilgrimes Solace 1612, Keyboard Transcriptions, Lachrimae 1604, Mr. Henry Noell Lamentations 1597, Psalmes & Sacred Songs, A Miscellany, Complete Lute Music, Consort Music and A Musicall Banquet 1610.Editions de L'Oiseau-Lyre
℗ 1976, 1977, 1978, 1979, 1980 The Decca Record Company Limited, London
© 1997 The Decca Record Company Limited, London
Recording location: Decca Studios, West Hampstead, London, 1976–77
Cover miniature by Nicholas Hilliard reproduced by courtesy of the Board of Trustees of the Victoria and Albert Museum, London
Publisher: Stainer & Bell Ltd (A Musicall Banquet 1610)
CD is made in Germany
Printed in Germany. Made in Germany
CDs 8 to 11: The numbering [P] is that adopted by Diana Poulton in The Collected Lute Music of John Dowland .
Barcode and Other Identifiers
- Barcode: 0 28945 25632 0
- Matrix / Runout (disc 1 label): 452 564-2
- Matrix / Runout (disc 2 label): 452 565-2
- Matrix / Runout (disc 3 label): 452 566-2
- Matrix / Runout (disc 4 label): 452 567-2
- Matrix / Runout (disc 5 label): 452 568-2
- Matrix / Runout (disc 6 label): 452 569-2
- Matrix / Runout (disc 7 label): 452 570-2
- Matrix / Runout (disc 8 label): 452 571-2
- Matrix / Runout (disc 9 label): 452 572-2
- Matrix / Runout (disc 10 label): 452 573-2
- Matrix / Runout (disc 11 label): 452 574-2
- Matrix / Runout (disc 12 label): 452 575-2
- Mastering SID Code (discs 1, 3, 4, 9): IFPI LV26
- Mastering SID Code (discs 2, 6, 10, 12): IFPI LZ87
- Mastering SID Code (discs 5, 7, 8, 11): IFPI LV27
- Mould SID Code (discs 1, 8): IFPI 0114
- Mould SID Code (discs 2, 5, 10): IFPI 0141
- Mould SID Code (discs 3, 7, 12): IFPI 0138
- Mould SID Code (discs 4, 9): IFPI 0158
- Mould SID Code (discs 6, 11): IFPI 0115
- Matrix / Runout (disc 1, matrix): 00289 452 564-2 01 * 51824123
- Matrix / Runout (disc 2, matrix): 00289 452 565-2 02 * 51823557
- Matrix / Runout (disc 3, matrix): 00289 452 566-2 01 * 51823559
- Matrix / Runout (disc 4, matrix): 00289 452 567-2 03 * 51823571
- Matrix / Runout (disc 5, matrix): 00289 452 568-2 04 + 50991480
- Matrix / Runout (disc 6, matrix): 00289 452 569-2 06 # 50991401
- Matrix / Runout (disc 7, matrix): 00289 452 570-2 04 + 50991402
- Matrix / Runout (disc 8, matrix): 00289 452 571-2 05 + 50991409
- Matrix / Runout (disc 9, matrix): 00289 452 572-2 04 * 50991410
- Matrix / Runout (disc 10, matrix): 00289 452 573-2 07 # 50991411
- Matrix / Runout (disc 11, matrix): 00289 452 574-2 04 + 50991470
- Matrix / Runout (disc 12, matrix): 00289 452 575-2 08 # 50991455
- Matrix / Runout (stamped on inner ring of mould, all discs): Made in Germany by EDC
- Rights Society: BIEM
- Rights Society: MCPS
- Other (distribution code): PY 808
- Other (SPARS code): ADD











